Cultural production in contemporary china: The struggle between political dogmatism and economic pragmatism

doi:10.3176/tr.2015.4.03

	Cultural production in contemporary china: The struggle between political dogmatism and economic pragmatism
	Li，Gan 1; Song，Weiqing 2
	2019-06-19
Source Publication	Trames
ISSN	17367514 14060922
Volume	19 Issue:4 Pages:355-366
Abstract	Many consider ideology to be obsolete in contemporary China. By taking a case study on cultural production in China, this article argues that ideology still plays a symbolic, yet crucial role in influencing Chinese politics. This article shows how China’s cultural production, in particular, TV industry has been struggling between political dogmatism and economic pragmatism. By using the six-facet cultural production model as a theoretical framework to study China’s TV industry, this article provides a notable addition to understanding the role of ideology and the development of the cultural industry in contemporary China.
Keyword	Chinese politics Cultural industry Cultural production Political ideology
DOI	10.3176/tr.2015.4.03
URL	View the original
Language	英语
Fulltext Access	View Full-Text via DOI View Full-Text via Scopus
Citation statistics
Document Type	Journal article
Collection	University of Macau
Corresponding Author	Song，Weiqing
Affiliation	1.School of Public ManagementZhejiang Gongshang University,China 2.Department of Government and PublicUniversity of Macau,Macao SAR,Macao
Corresponding Author Affilication	University of Macau
Recommended Citation GB/T 7714	Li，Gan,Song，Weiqing. Cultural production in contemporary china: The struggle between political dogmatism and economic pragmatism[J]. Trames,2019,19(4):355-366.
APA	Li，Gan,&Song，Weiqing.(2019).Cultural production in contemporary china: The struggle between political dogmatism and economic pragmatism.Trames,19(4),355-366.
MLA	Li，Gan,et al."Cultural production in contemporary china: The struggle between political dogmatism and economic pragmatism".Trames 19.4(2019):355-366.

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