Cultural production in contemporary china: The struggle between political dogmatism and economic pragmatism | |
Li,Gan1; Song,Weiqing2 | |
2019-06-19 | |
Source Publication | Trames
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ISSN | 17367514 14060922 |
Volume | 19Issue:4Pages:355-366 |
Abstract | Many consider ideology to be obsolete in contemporary China. By taking a case study on cultural production in China, this article argues that ideology still plays a symbolic, yet crucial role in influencing Chinese politics. This article shows how China’s cultural production, in particular, TV industry has been struggling between political dogmatism and economic pragmatism. By using the six-facet cultural production model as a theoretical framework to study China’s TV industry, this article provides a notable addition to understanding the role of ideology and the development of the cultural industry in contemporary China. |
Keyword | Chinese politics Cultural industry Cultural production Political ideology |
DOI | 10.3176/tr.2015.4.03 |
URL | View the original |
Language | 英语 |
Fulltext Access | |
Citation statistics | |
Document Type | Journal article |
Collection | University of Macau |
Corresponding Author | Song,Weiqing |
Affiliation | 1.School of Public ManagementZhejiang Gongshang University,China 2.Department of Government and PublicUniversity of Macau,Macao SAR,Macao |
Corresponding Author Affilication | University of Macau |
Recommended Citation GB/T 7714 | Li,Gan,Song,Weiqing. Cultural production in contemporary china: The struggle between political dogmatism and economic pragmatism[J]. Trames,2019,19(4):355-366. |
APA | Li,Gan,&Song,Weiqing.(2019).Cultural production in contemporary china: The struggle between political dogmatism and economic pragmatism.Trames,19(4),355-366. |
MLA | Li,Gan,et al."Cultural production in contemporary china: The struggle between political dogmatism and economic pragmatism".Trames 19.4(2019):355-366. |
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