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Cultural production in contemporary china: The struggle between political dogmatism and economic pragmatism
Li,Gan1; Song,Weiqing2
2019-06-19
Source PublicationTrames
ISSN17367514 14060922
Volume19Issue:4Pages:355-366
AbstractMany consider ideology to be obsolete in contemporary China. By taking a case study on cultural production in China, this article argues that ideology still plays a symbolic, yet crucial role in influencing Chinese politics. This article shows how China’s cultural production, in particular, TV industry has been struggling between political dogmatism and economic pragmatism. By using the six-facet cultural production model as a theoretical framework to study China’s TV industry, this article provides a notable addition to understanding the role of ideology and the development of the cultural industry in contemporary China.
KeywordChinese politics Cultural industry Cultural production Political ideology
DOI10.3176/tr.2015.4.03
URLView the original
Language英语
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Document TypeJournal article
CollectionUniversity of Macau
Corresponding AuthorSong,Weiqing
Affiliation1.School of Public ManagementZhejiang Gongshang University,China
2.Department of Government and PublicUniversity of Macau,Macao SAR,Macao
Corresponding Author AffilicationUniversity of Macau
Recommended Citation
GB/T 7714
Li,Gan,Song,Weiqing. Cultural production in contemporary china: The struggle between political dogmatism and economic pragmatism[J]. Trames,2019,19(4):355-366.
APA Li,Gan,&Song,Weiqing.(2019).Cultural production in contemporary china: The struggle between political dogmatism and economic pragmatism.Trames,19(4),355-366.
MLA Li,Gan,et al."Cultural production in contemporary china: The struggle between political dogmatism and economic pragmatism".Trames 19.4(2019):355-366.
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